Eizan | Courtesan Soshi of the Tamaya, the Seven Komachi

Kikukawa Eizan (1787-1867)

Kikugawa Eizan can be considered the true heir to Utamaro, even if he never studied with that legendary master of beauties.

But history records he was deeply enamored of Utamaro’s work, and when Utamaro died, it was Eizan, and not one of Utamaro’s students, who truly filled the void. His bijin-ga prints paid hommage to the master’s style, especially their poses, but their narrow faces and slim bodies were perfected by Eizan. The kimonos in which he dressed his women were often quite intricate, as were their hairstyles, with both providing fascinating and useful glimpses of the styles in the ever-stylish Edo of the time.

Eizan was born to a painter, and in the end of his life it was apparently painting that warmed his passion most. He abruptly stopped designing prints around 1830, when he was 43, but kept painting for the rest of his life. He died at 81 in 1867.