Eizan | Hahakigi, Twelve Seasons of Genji 

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菊川英山 Kikukawa Eizan(1787-1867)

源氏十二条 帚木
Hahakigi, from the series Twelve Seasons of Genji

1814-17

木版画 | 纵绘大判 | 39.4cm x 26.5cm
Woodblock-print | Oban tate-e | 36.6cm x 25.4cm

早期版次;颜色鲜艳;整体品相非常好;左边有两处先前册页留下来的小洞;右边有两处非常轻微的黄斑
Fine impression and remarkably strong color; 2 tiny binding holes; minor stain on the right, otherwise in very good condition.

$8,000

Interested in purchasing?
Please contact us.

菊川英山 Kikukawa Eizan(1787-1867)

源氏十二条 帚木
Hahakigi, from the series Twelve Seasons of Genji

1814-17

木版画 | 纵绘大判 | 39.4cm x 26.5cm
Woodblock-print | Oban tate-e | 36.6cm x 25.4cm

早期版次;颜色鲜艳;整体品相非常好;左边有两处先前册页留下来的小洞;右边有两处非常轻微的黄斑
Fine impression and remarkably strong color; 2 tiny binding holes; minor stain on the right, otherwise in very good condition.

$8,000

Interested in purchasing?
Please contact us.

Kikukawa Eizan (1787-1867)

Kikugawa Eizan can be considered the true heir to Utamaro, even if he never studied with that legendary master of beauties.

But history records he was deeply enamored of Utamaro’s work, and when Utamaro died, it was Eizan, and not one of Utamaro’s students, who truly filled the void. His bijin-ga prints paid hommage to the master’s style, especially their poses, but their narrow faces and slim bodies were perfected by Eizan. The kimonos in which he dressed his women were often quite intricate, as were their hairstyles, with both providing fascinating and useful glimpses of the styles in the ever-stylish Edo of the time.

Eizan was born to a painter, and in the end of his life it was apparently painting that warmed his passion most. He abruptly stopped designing prints around 1830, when he was 43, but kept painting for the rest of his life. He died at 81 in 1867.