Kobayakawa | After the Bath

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小早川清 Kiyoshi Kobayakawa (1899-1948)

浴后
After the Bath

1933

木版画｜纵绘大大判｜39.8cm x 25.7cm
Woodblock-print ｜Large Oban tate-e｜39.8cm x 25.7cm

初版，由版元“高见泽”出版；品相非常好
First edition, published by Takamizawa; great condition

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玄色麻纱和服尚未拉齐肩头，乌黑的发丝蓬松随意挽在脑后，刚刚出浴的美人露出雪白的脖颈与后背，眼下双颊，泛起热气熏蒸出的淡淡桃红。正当暧昧温柔的气息即将浮于纸面之上，小早川清用他最得意的眼部刻画冲淡了桃色氛围：以清晰的黑色线条勾勒出眼型，凝脂般的面庞与浅灰的瞳色恰好形成反差，凸显出眼神的清亮锐利，直让观者心头一颤，不容人将思维发散到艳俗的方向。值得一提的是，本作中的单色背景看似朴实无华，实则是用传统浮世绘中的“云母摺”技法拓印而成。低调贵气的半珠光色泽，与画中女子优雅妩媚的神态装束可谓相得益彰。

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Kiyoshi Kobayakawa (1899-1948)

Here was a designer of beautiful women prints who came to depict the “modern women” who were the craze of Tokyo in the 1930s. Kobayakawa Kiyoshi was born far from Tokyo in Fukuoka, but his designs have come to define the Metropolis of that era and how it had so dramatically thrown off the shackles of old-time Edo. Perhaps his most famous print is “Tipsy.”