Kobayakawa | Make up

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小早川清 Kiyoshi Kobayakawa (1899-1948)

化妆
Make up

1930

木版画｜纵绘超大判｜49.8cm x 30.5cm
Woodblock-print ｜Naga Oban tate-e｜49.8cm x 30.5cm

100枚限量发行的第12枚；品相非常好
100 limited edition, number 12; great condition

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与中国一样，数千年来，日本女性对于美白的追求就像对于光明的追求一样从未停止。至少在公元七世纪，日本即从大唐引进了用于美白脸部与肩颈的铅白（碱式碳酸铅），作为美白用白粉的主要成分。但因其会导致铅中毒，后世便多次改进了白粉的配方，诞生了以二氧化钛、高岭土、滑石粉等为主料的多种白粉，以供日常使用、舞台妆造等不同需求。

眼前丰腴的美人将衣衫褪至半胸，正手持粉扑，将白粉均匀地拍涂于肩颈与两腮。本就粉嫩剔透的凝肤一经白粉的修饰，真好似软玉上起霜，更添几分细腻柔美。乌黑的秀发，低垂的眼眸，微张的红唇，一位跃然纸上的“大和抚子”，与衣上的青地抚子纹相映生辉，一瞥一笑，皆是风情万种。

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Kiyoshi Kobayakawa (1899-1948)

Here was a designer of beautiful women prints who came to depict the “modern women” who were the craze of Tokyo in the 1930s. Kobayakawa Kiyoshi was born far from Tokyo in Fukuoka, but his designs have come to define the Metropolis of that era and how it had so dramatically thrown off the shackles of old-time Edo. Perhaps his most famous print is “Tipsy.”