Kotondo | Rain
鳥居言人 Torii Kotondo (1900–1976)
雨
Rain
1929
木版画｜纵绘大大判｜40cm x 26.2cm
Woodblock-print ｜Large Oban tate-e｜40cm x 26.2cm
品相极好；川口独版
Superb impression, color and condition; Published by Kawaguchi
SOLD
《女子十二题》是鸟居言人于早期创作的美人画系列，全套共计十二幅。其气质优雅恬淡，清新温柔，同时略带愁绪，是言人最为知名的代表作之一，颇受海内外藏家与艺术爱好者的欢迎。
不知是雨势渐小，还是大雨将至，一丝，一丝，银线般的雨丝斜斜下坠，引得美人斜撑和伞，斜望向远方的天色。漆黑的眼眸与如雪的肌肤自是日式美人的标配，身着的青绿配深紫色缟纹和服在樱花地腰带的衬托下更显得格外亮眼。无需任何的故事背景，也没有任何的文字交代，
观者只需见她、继后赏她、终而爱她便已足矣。
Interested in purchasing?
Please contact us.
鳥居言人 Torii Kotondo (1900–1976)
雨
Rain
1929
木版画｜纵绘大大判｜40cm x 26.2cm
Woodblock-print ｜Large Oban tate-e｜40cm x 26.2cm
品相极好；川口独版
Superb impression, color and condition; Published by Kawaguchi
SOLD
《女子十二题》是鸟居言人于早期创作的美人画系列，全套共计十二幅。其气质优雅恬淡，清新温柔，同时略带愁绪，是言人最为知名的代表作之一，颇受海内外藏家与艺术爱好者的欢迎。
不知是雨势渐小，还是大雨将至，一丝，一丝，银线般的雨丝斜斜下坠，引得美人斜撑和伞，斜望向远方的天色。漆黑的眼眸与如雪的肌肤自是日式美人的标配，身着的青绿配深紫色缟纹和服在樱花地腰带的衬托下更显得格外亮眼。无需任何的故事背景，也没有任何的文字交代，
观者只需见她、继后赏她、终而爱她便已足矣。
Interested in purchasing?
Please contact us.
鳥居言人 Torii Kotondo (1900–1976)
雨
Rain
1929
木版画｜纵绘大大判｜40cm x 26.2cm
Woodblock-print ｜Large Oban tate-e｜40cm x 26.2cm
品相极好；川口独版
Superb impression, color and condition; Published by Kawaguchi
SOLD
《女子十二题》是鸟居言人于早期创作的美人画系列，全套共计十二幅。其气质优雅恬淡，清新温柔，同时略带愁绪，是言人最为知名的代表作之一，颇受海内外藏家与艺术爱好者的欢迎。
不知是雨势渐小，还是大雨将至，一丝，一丝，银线般的雨丝斜斜下坠，引得美人斜撑和伞，斜望向远方的天色。漆黑的眼眸与如雪的肌肤自是日式美人的标配，身着的青绿配深紫色缟纹和服在樱花地腰带的衬托下更显得格外亮眼。无需任何的故事背景，也没有任何的文字交代，
观者只需见她、继后赏她、终而爱她便已足矣。
Interested in purchasing?
Please contact us.
Torii Kotondo (1900–1976)
Torii Kotondo followed his school's tradition of making prints of kabuki actors (yakusha-e) and involvement with commercial work for kabuki theater. His twenty-one bijin-ga (pictures of beautiful women) are particularly celebrated.
Torii Kiyotada IV, the seventh head of the Torii school of ukiyo-e artists, adopted Kotondo at age 15 and trained him in the school's specialty producing yakusha-e, portraits of kabuki actors. Kotondo studied painting under the yamato-e painter Kobori Tomone [ja] from 1914 and under Kiyokata Kaburagi from 1918. Most of Kotondo's woodblock prints date from 1927 to 1933.